Sunday, April 26, 2009

Putting the Brushes Down in Order to Pick Them Back Up

This week, after a lot of struggles and a lot of fits and starts, I have finished a new 24 x 30 of the Abbey of Senanque, in France. This is one of the beautiful scenes of France, a country full of amazing subjects for paintings -with the old abbey nestled between green hills, and fields of lavender glowing in perfect rows of purple and violet.

However, I have to write a note to all my friends, family, and collectors to let you all know that I have decided to go on a very "low-work" hiatus from painting. This is my first real slowdown in work since 2003. As some of you guys may know, I have been struggling for years with lumbar-spinal arthritis. Recently I have had to admit that this chronic condition has taken so much from me that I am at risk of losing or ruining some of the most important people and enjoyments in my life. It is not my intention to bore all of you with some long litany of medical gripes. Lord knows, we've all had our problems and I happen to believe that most people don't really find a long medical confession that interesting...however I am also a believer that most of us can handle a little more truth than we are used to getting. So for all of you who want to know, I'll briefly tell you my situation.

After years of intermittent back trouble, I began to have severe problems sleeping in 2006. At first I could take an aspirin or two in the middle of the night to deal with it. Then that stopped having any effect. What was happening was that I was getting such pain in my back when I lay down flat, that it was waking me up and preventing restful sleep. Naturally, I was utterly exhausted, and the wear and tear began to show. I tried countless cures and remedies, conventional and unconventional. Acupuncture, massage, chiropractic treatment - medications and more medications. And still the problem has persisted - and has, in fact, gotten worse. Every night has been an agony of burning needles of pain, sharp and endless, coursing up the middle of my lower back. Other times I lay there in misery with dull, sore aches - as always, unable to sleep.

Recent tests have revealed that I have two bulging discs in my back, a herniated disk, and significant arthritic degeneration in the facet joints of my back. Friends who have not seen me in awhile have been shocked to find a skinny, hollow eyed version of me who limps and who stumbles and has bad balance. Now that I have lost a good deal of feeling in my right leg and some in my left foot, I have committed to an intensive course of physical therapy and rest, to try to rehabilitate the multiple, horrible problems with my back. This is what the neurological specialists have advised me to do.

So, the plan for the next 3 to 4 months is to take a very "low-work" schedule to focus on physical therapy and to be with my family, most notably my new 1 month old son Liam. If I can work myself into some kind of acceptable shape, I plan a full return to work in mid-summer. (Don't worry Jared, you'll still get your Catalinas painting, but it may take a little bit more time to complete :)

At the moment there are still an adequate number of paintings in all 3 of the galleries where I show work. And there are a handful that are drying and will soon be made available. After I finish the next commission piece I am working on, any further commissions or special projects will be given a realistic time frame for completion in coordination with the rehab of my back. I also plan to work, whenever possible, to complete the "Fire in the Rocks" book project, and will keep you all updated when it's available. My website will continue to be maintained and updated, so please don't hesitate to visit.

So, to all my wonderful friends out there who have supported me and encouraged me thru this very painful struggle, I love you guys and appreciate every ounce of your support. To my collectors and friends at the galleries, rest assured that I am not hitting the stop button...rather I'm gearing down to 2nd and will be driving in the slow lane for a few months.

My thanks to everyone - here's to a recovery of health, and to the next batch of canvases that will be waiting for a blazing rush of energy.

Saturday, April 18, 2009

Take a Walk in Santa Fe

This week I am working on a painting of the Abbey of Senanque in Provence, France. After copying some of the masterworks of Provencal artists in my college days - this represents my first return to painting Provence in a very long time. It's been a joy to work at the root-source of my idols, namely Quilici and Van Gogh. It reminds me of the quote that my friend and mentor Jean-Claude Quilici made about my work, when he said "it's too bad that Provence is so far from where Neil lives!" In all honesty, Provence is the real origin of the kind of expressionist work that I and Jean-Claude do, so it seems natural that I should come back to it at some point.

Several times this week, as my wife and I have been talking about our trips around the Southwest, the subject of Santa Fe has come up. Invariably, we start talking about how many beautiful days and evenings we've had on trips to this wonderful city. Honestly, if circumstances didn't have me based in Southern Arizona, my immediate 2nd choice for a place to live would be Santa Fe, New Mexico. We first saw the town briefly in 2003, and have made trips back there as frequently as we could manage.

There is some kind of unique confluence in Santa Fe - a kind of nexus of art, history, cross culture influences of native American, Hispanic, and Anglo American traditions. And the fact that Santa Fe is one of our oldest cities - also containing the oldest church in America, the San Miguel Mission which was built between 1610-1628. I painted the mission in 2004, and still have the painting. Santa Fe itself dates from 1610. The old churches and history are just one aspect - what seems so interesting is that the quaintness and the age of the town has been so well preserved. What is unfortunately true about America is a near obsessive need to bulldoze the old buildings and structures - but this hasn't gotten its way entirely in Santa Fe. Even the new buildings around town are built in the adobe style that was so well known to much of New Mexico and Arizona. Many of the homes around areas like Canyon Road also preserve this style. The end result is that Santa Fe still feels small, intimate, and it looks beautiful.

One obvious plus to spending time in Santa Fe is that you can walk around it. Most of the artsy parts of town, the main square, Canyon Road - these all have good sidewalks and are a reasonable distance apart. When I visit Santa Fe I find myself thinking of the terrible epidemic of obesity in America - and it occurs to me that some small responsibility for this should be placed on city planners. For example, there are many highly developed areas around Tucson (where we live) that have NO sidewalks at all. School kids get off the bus and walk home in the dirt beside the paved road. It seems to me that if you'd like to encourage your population to take an afternoon or morning stroll - or walk somewhere in lieu of driving, they need that basic convenience of a sidewalk. Even most small towns in North Carolina where I grew up had them - and it is another great aspect of visiting Santa Fe. Just park your car and walk around it. You'll find all sorts of nooks in town, with galleries, shops, restaurants, etc - places you'd have missed if you were zooming by in a car.

In 2007 I saw a special exhibit at the Palace of the Governors where the original scroll for the Jack Kerouac book "On the Road" was unrolled and put on display in a long, clear display case. Kerouac wrote the book in a frenzy of work in 1951 - and his style of writing was executed so fast that he didn't use conventional pages - he used a long scroll that could be unwound as he went. It's display was part of a special travelling exhibit taking the scroll around America. Always having been a fan of the beat generation and their new visions of life and writing - it was a special privilege to see this important piece of history on display in one of Santa Fe's most historic spots.

Another aspect of Santa Fe which I find interesting is it's inherent value as an artistic subject. Frequently on trips my wife and I wander along the back alleys of the downtown and the roads and driveways around Canyon Road - and from the photographs we took in these areas have come some of my best works, like "Spring Sunshine, Canyon Road", "Fence Shadows, Santa Fe" and "Pink Tree, Santa Fe." Visually, what is at work in Santa Fe - as you see the sunlight filtering off the adobe structures - is the same thing that is at work when you visit Taos Pueblo. Ochre and Sienna Earth colors in solid shapes, with light and shadow projected on them. Thus the homes around Canyon Road strike me artistically the same way the native American Pueblos do. And that's a great source for wonderful paintings.
When I travel, and then I think about it afterwards, I have to say that I don't remember things in a perfect stream of consciousness - but rather in individual scenes, or images. Like arriving in Santa Fe in 2007 while a soft springtime snow was falling on the town. My wife and I checked into our hotel and then walked over to a cafe with a terrace, where we watched the snow falling on some recently blooming flowers. Till all the adobe buildings were coated with white, and the town slowed down to a hush as the snow accumulated. Or I remember a gorgeous sunny morning during our trip to Santa Fe last year, where we bought muffins for breakfast and took them out to a bench on the square - sharing crumbs with the birds and watching vendors set up for the day. Travel is full of those kinds of moments, and for those of you who may be thinking about it - take it from me, those moments are very, very easy to find in a place like Santa Fe. Stay there a few days, and make a few memories of your own.